Thursday, February 13, 2014
Separate from that review, the Federal Communications Commission would have a much broader mandate to determine if the deal is in the public’s interest.
To head off regulatory concerns, Comcast said it plans to offer to shed about 3 million subscribers in order to keep its ownership of the entire cable marketplace below 30 percent, a figure television programmers say is the threshold for competition in licensing negotiations, according to a person familiar with the deal who spoke on the condition of anonymity.
Before any divestment of customers, the deal would create a behemoth with 33 million cable subscribers in most major metropolitan areas, including Time Warner Cable's home, the New York tristate region and in southern California, Texas, the Carolinas, Ohio and Wisconsin. Time Warner Cable does not serve the Washington, D.C., area.
When it acquired NBC Universal in 2011, Comcast agreed to “net neutrality” conditions that prevent it from prioritizing its own content over a competitor such as Netflix. Comcast is expected on Thursday to offer similar restrictions in its merger with Time Warner Cable.
If the boards of both companies approve the merger, and it passes regulatory scrutiny, the deal could close before the end of the year. The price per share of $158.82 is about 17 percent above where Time Warner Cable shares closed in regular trading Wednesday. (Wash Post, 2/13/2014)
Wednesday, January 29, 2014
A major beef producer starts feeding its cattle petroleum-based pellets and a cow explodes and the security footage of the explosion goes viral. The Chipotle-sponsored satire uses the 'Scandal' format and you can guess how many jokes are included.
Friday, January 17, 2014
|Digital Movie Projector|
Paramount Pictures has become the first major studio to stop releasing movies on film in the United States.
Some studios may also be reluctant to give up box-office revenue by bypassing theaters that can show only film. About 8% of U.S. movie theater screens are equipped to show movies only on film.
Paramount’s move comes nearly a decade after studios began working with exhibitors to help finance the replacement of film projectors with digital systems, which substantially reduce the cost of delivering movie prints to theaters.
In addition to relying on digital hard drives, theaters are installing satellites to digitally beam movies into cinemas. That could significantly lower the cost of delivering a single print, to less than $100 from as much $2,000.
Digital technology also enables cinemas to screen higher-priced 3-D films and makes it easier for them to book and program entertainment.
As a result, large chains have moved quickly to embrace digital technology: Ninety-two percent of 40,045 screens in the U.S. have converted to digital, according to the National Assn. of Theatre Owners. (L.A. Times, 1/17/2014)